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The sex is strained and certainly seems to burn serious calories (Christian flips Anastasia like a pancake), but finally pales next to the commodity fetishism. There are also abrupt swings in tone, dead-end detours and flatline performances, including from Ms.
FIFTY SHADES DARKER MOVIE TIME PROFESSIONAL
He’s a professional with real credits, so I assume that he’s not finally responsible for the ineptitude of “Fifty Shades Darker,” which ranges from continuity issues to unsurprisingly risible writing.
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Taylor-Johnson are said to have clashed over the making of the first movie, it is easy to guess who the dominant player was in “Fifty Shades Darker,” and it probably wasn’t the new director, James Foley. With low-key charisma, she drew you toward her, so that your attention and hopes fell on her instead of the nonsense surrounding her. It also had a natural star in Dakota Johnson, one of those unforced charmers who can deliver bad lines so gracefully that, after a while, you don’t much care about their quality. For all its flaws, “Fifty Shades of Grey” had a competent director, Sam Taylor-Johnson, who mostly wrung a watchable movie out of the material, partly by letting lightness and laughter in. Well, not quite, though it’s always instructive to watch how many different ways one movie can go wrong and to guess what happened between a first feature and a second.
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The result is a clutch of best sellers, a hit movie (based on the first book, “Fifty Shades of Grey”) and now a sequel, “Fifty Shades Darker,” that’s almost bad enough to recommend. But it apparently took a writer as terrible as E L James, the author of the “Fifty Shades” series, to really hit the commercial sweet spot. The likes of Madonna and the photographer Helmut Newton had primed that pump long ago, turning dominance, submission and toys into an acceptable spectacle. We say: It may flaunt some nifty AV credentials, but this limp sequel still fails to generate any real heat in high-definition.The big tee-hee about the “Fifty Shades of Grey” phenomenon is that it’s brought ostensibly scandalous heterosexual sex - with its whips and restraints - out of the shadows and into the mainstream. Also included are two deleted scenes, a teaser for Fifty Shades Freed, and six featurettes looking at the characters, the director, the writing process and shooting specific sequences. The height layer also gets a run-out with Chapter 16's helicopter crash and Chapter 19's fireworks.Įxtras: The Blu-ray serves up both the theatrical cut (118 minutes) and an 'Unmasked' version (131 minutes). Fine textures are pronounced, doing a particularly good job of picking out every hair and dimple in the many close-ups of naked skin.Īudio: Is a DTS:X soundtrack a little OTT for a film like this? Possibly, but those with compatible setups are rewarded by its knack of making the various locations feel like very different spaces by virtue of individual acoustics.
FIFTY SHADES DARKER MOVIE TIME 1080P
Picture: The disc packs a rich, warm 2.40:1-framed 1080p encode that is way better than the actual movie, finding beauty in the opulent locations and costumes. This is clearly a real problem for a piece of so-called erotica. And when it comes to what goes on in the bedroom (or the kitchen, the bathroom, the games room, etc), Fifty Shades Darker's sex scenes are boring at best and laughable at worst. Team HCC can't see the attraction, but then perhaps we're not this film's target audience. He constantly behaves like a creepy, controlling oddball. Worse still, Christian Grey remains a man whose every word and action would send any right-thinking woman running straight to the police. Sadly none of these additions, nor a final reel helicopter crash, do anything to raise the dramatic stakes above the level you'd expect from a daytime soap opera. These include a new boss for Ana with his own designs on her body, a gun-toting stalker and the jealous older woman (Kim Basinger) who first brought out Christian's kinky side.
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Presumably aware that watching Ana and Christian go through the S&M motions yet again can only carry a film so far, Fifty Shades Darker introduces a series of external threats to their relationship. As it happens, Fifty Shades Darker wastes little time reuniting the couple, setting the scene for yet another romantic melodrama punctuated by a series of rose-tinted romps. Given that Fifty Shades of Grey ended with Anastasia Steele (Dakota Johnson) dumping billionaire playboy Christian Grey (Jamie Dornan) due to his fondness for inflicting pain in the bedroom, you might expect this sequel to be all about getting the pair back together.